• "All of Us Are Dead" Director Apologizes For The Shows Controversial Scenes

    Director Lee Jae Kyu apologized for the scene of school violence from "All of Us Are Dead".

    On the morning of February 7th, a video interview with director Lee Jae Kyu, who was in charge of directing Netflix's "All of Us Are Dead", was conducted through online live broadcast.

    "All of Us Are Dead" is based on the original webtoon of the same name, and depicts the story of those isolated in a high school where the zombie virus spread and those who try to save them going through an extreme situation that is unknown. It is a Netflix original series with a total of 12 episodes.

    According to FlixPatrol, an OTT ranking aggregation site, on February 6th, "All of Us Are Dead" topped Netflix's "Today's TOP 10" TV series for nine consecutive days. Currently, it has 837 points, far exceeding 514 points of second-place "Dark Desire" and maintaining the top spot with overwhelming numbers.

    On top of that, since its release, it has topped Netflix's global TOP 10 TV (non-English) category, creating a global syndrome.

    However, despite the high popularity and favorable reviews at home and abroad, some scenes of school violence (academic violence) that appeared in the early stages were controversial.

    Hyosan High School bullies, including Yoon Gwi Nam (Yoo In Soo), took off the school uniform of school violence victim Eun Ji (Oh Hye Soo) and filmed sexual exploitation, or gave birth alone in the bathroom, which was more provocative than necessary.

    Director Lee Jae Kyu said, "There are many tragedies in our society, and we never tried to stimulate the tragedy by simply showing it and attracting the audience because of it", adding, "You know from looking at Eun Ji behind, but even if you die of fear of exposure to your own life, you try to get rid of it. I wanted viewers be able to feel how cruel the perpetrators were", he said.

    "In order to do that, there had to be a basic set value, and because we tried to create a situation where Eun Ji was about to die, such things had to happen", he said adding, "Cases like Hee Soo are sometimes reported in real life, but unwanted pregnancy is a reality that happens to us. At some point, she abandoned the child, and I thought that the figure of an 18-year-old girl who immediately wanted to protect the child resembles the overall story", he said.

    Director Lee Jae Kyu said, "Onjo's father, Cheong San's mother, and Jimin's parents also came to the front of the school to save their children. Hee Soo also ran straight to save the abandoned child. The devices were needed to show minimal responsibility", he said. "As a director and planner, I am sorry if the message was delivered too much unintentionally or if there are any inconveniences".

    According to the director, "All of Us Are Dead" has a much more refined expression level than the original webtoon. He said, "It may be unbearable when webtoons are implemented as videos. I thought I should be able to enjoy the drama easily and interestingly. So there are things that have been refined to some extent. In the original, Na Yeon and Gwi Nam are more violent. It is also a virtue of the original work", he added.

    Meanwhile, "All of Us Are Dead" was released in 190 countries on Netflix on the 28th of last month.

    Source[1]

  • BTS’s Jungkook Makes History Again as ‘Seven’ Enters Spotify’s Top 90 Most-Streamed Songs — The ONLY Asian Song on the List

    BTS’s Jungkook is once again proving his global power, setting another huge record on Spotify! His solo debut song "Seven" has officially entered Spotify’s Top 90 most-streamed songs of all time, making him the ONLY Asian artist on the list!

    On March 14 (KST), "Seven" reached an insane 2,251,263,698 streams, landing at No. 89 on Spotify’s all-time most-streamed songs chart.

    What makes this even more impressive?
    Jungkook is the only Asian artist in the Top 90!
    "Seven" has surpassed major global hits like Charlie Puth’s "We Don’t Talk Anymore", Sam Smith’s "I’m Not The Only One", and Maroon 5’s "Payphone"!

    Jungkook’s "Seven" has been breaking Spotify records left and right, proving its status as a global mega-hit:


    Fastest song in Spotify history to reach 100M, 900M, 1B, and 1.1B streams!
    First K-pop solo song to chart on Spotify’s Daily Top Songs Global chart for 600 days!
    Longest-charting song by an Asian solo artist on Spotify’s Weekly Top Songs Global chart (86 weeks and counting!)!

    And let’s not forget—back in January 2025, "Seven" ranked No. 11 on Spotify’s list of Most-Streamed Songs of the 2020s, proving its long-lasting popularity!

    Even with new music constantly being released, "Seven" continues to dominate charts and break records.

    Fans worldwide are celebrating Jungkook’s unstoppable success, and with his influence only growing stronger, everyone is waiting to see what he does next!

    "Jungkook is rewriting history! No one can match his impact!"
    "He’s carrying K-pop on his back! The only Asian artist in the Top 90? Insane!"
    "‘Seven’ is a masterpiece and deserves all the success!"

    With Jungkook continuing to set new records, what do you think his next big achievement will be?

    Source (1)